How are third-century portraits of elite men and women similar?
A) Portraits of both men and women only depict their subjects as eternally youthful.
B) Portraits of both men and women reveal the psychological stress of the third century.
C) Portraits of both men and women depict elaborate, ostentatious hairstyles.
D) Portraits of both men and women only depict their subjects as aged and mature.
Question 2
The emotional expression in imperial portraits of the soldier emperors generally reveals
A) insecurity, nervousness, and a troubled pysche
B) unwavering confidence in Rome's physical and political strength
C) harsh, barbaric ruthlessness
D) calm, intellectual resolve
A nineteenth-century Japanese portrait of Commodore Matthew Perry, who “opened up” Japan in 1854.
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