In more complex societies, state governments
a. deliberately use art to ensure freedom of expression.
b. always carefully control art to prevent social agitation.
c. frequently repress artistic forms that criticize national symbols.
d. sponsor art for the sake of instilling obedience and maintaining the status quo.
e. subsidize the production of art as a way of calming the social classes.
Question 2
The Mano god-spirit mask, which embodies the spiritual force in Liberia:
a. serves as an agent of social control and conflict resolution, as well as an expression of religious belief.
b. plays only a religious role in the society, although it is used to create social conformity.
c. serves primarily as a crude reminder of the dead ancestor.
d. is an important social control mechanism that has little or no religious significance.
e. is a type of art that is both representational and transformational, but not symbolic.
A recruiting poster for the “True Sons of Freedom” encouraged African Americans to enlist. In fact,
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