The same assistant editor tells you that although the two events juxtaposed in a
comparison montage must be thematically related, they need no such connection in
the collision montage. What is your reaction? Why?
What will be an ideal response?
Question 2The assistant editor tells you that the order of shots in a sequential montage is as unimportant
as it is in a sectional montage. What is your reaction? Support your argument
with concrete examples
What will be an ideal response?