Paradigmatic analysis
a. is centrally focused on the meanings of sequences of signs.
b. looks for patterns of paired oppositions.
c. requires the critic to take signifying elements out of their chronological order and
reorganize them analytically according to related patterns of opposition.
d. All of the above.
e. None of the above.
Question 2
Semiotic analysis
a. is the basis for many kinds of criticism because of its focus on codes.
b. when paired with structuralist analysis helps us understand the dynamic, dialectical
themes that engage television audiences.
c. examines the coded set of signs in a text.
d. is concerned with the fine details of meaning-making through structured
relationships.
e. All of the above.
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