Bandleaders such as Artie Shaw, Benny Goodman, and Paul Whiteman were exposed to the music of black jazz bands
a. at nightclubs for whites-only patrons
b. at after-hours clubs on 52nd Street
c. at Harlem rent parties
d. at late-night jam sessions after the clubs closed
Question 2
From the mid-fifteenth century onward, imitation so dominated the texture of written polyphonic music that the entire Renaissance might well be called the age of imitative counterpoint.
Indicate whether the statement is true or false
