What are three major conclusions about the history of twentieth-century music that can be drawn from Stravinsky's conversion to serial and twelve-tone composition?
What will be an ideal response?
Question 2
This composer was also an influential teacher, who counted Josquin, Basiron, Busnoys, and Tinctoris among his students.
A) Guillaume de Machaut
B) Guillaume Dufay
C) Gilles Binchois
D) Johannes Ockeghem