What is the driving force behind any concerto?
a) the strict imitative counterpoint
b) the steady rhythmic attacks from the piano
c) the dramatic tension between soloist and orchestra
d) the virtuosity of the performer
Question 2
John Coltrane's My Favorite Things is an example of what medieval practice?
a) heterophony
b) monophony
c) organum
d) arranging a texted song for instruments alone