An example of those playing the linking-pin power role is
a. a camera and sound supply company.
b. a public relations agency.
c. an investment bank.
d. a producer with a good track record.
e. None of the above.
Question 2
In writing production context criticism, which of the following is most reliant on providing historical context?
a. Critical audience ethnography
b. An ethnography of media workers
c. A genre analysis that examines the auteur
d. Big-picture media industry critiques
e. None of the above.
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