Explain why CD 3:5 Me gusta la leche is considered an ...

[B]

Explain why CD 3:5 Me gusta la leche is considered an Indo-Hispano-Afro-Ecuadorian hybrid
 
  What will be an ideal response?

Question 2

WOMS states that CD 3:5 (Me gusta la leche) is a sanjun, but is not a Quichua sanjun--as heard in CD 3:3 (Muyu muyari warmigu). Discuss the similarities and differences between the Quichua and Chota sanjuanes. Why is this musical genre shared between the two cultures?
 
  What will be an ideal response?

[bfulkerson77]

Answer to Question 1

 Me gusta la leche represents an African-Ecuadorian interpretation--with phrasing twists, rhythmic variation and nuance, and the requinto's dulzura sweetness--of an Indigenous genre (sanjun) of the neighboring Quichua within a Spanish-speaking nation.

Answer to Question 2

 Similarities: same basic genre (sanjun); same doublecouplet construction, and comparable tempo, and phrases of 8 beats. The short-long-short rhythmic marker is found in both examples (marked with a  in the chart below).
 Differences: in the Chota sanjun of CD 3:5 the rhythm of second four beats of the main phrase is similar to--but not exactly the same as--the rhythm of the first four beats. In the case of the Quichua sanjun, the rhythm of the second four beats (beats 5-8) is exactly the same as the rhythm of the first four beats (beats 1-4)--known as isorhythm. (See also comparison chart below.)

[B]

Excellent

[jamesnevil303]

Gracias!