Author Question: Explain why CD 3:5 Me gusta la leche is considered an Indo-Hispano-Afro-Ecuadorian hybrid What ... (Read 54 times)

B · **on:** Jul 25, 2018

Explain why CD 3:5 Me gusta la leche is considered an Indo-Hispano-Afro-Ecuadorian hybrid

What will be an ideal response?

Question 2

WOMS states that CD 3:5 (Me gusta la leche) is a sanjun, but is not a Quichua sanjun--as heard in CD 3:3 (Muyu muyari warmigu). Discuss the similarities and differences between the Quichua and Chota sanjuanes. Why is this musical genre shared between the two cultures?

What will be an ideal response?

bfulkerson77 · **Reply #1 on:** Jul 25, 2018

Answer to Question 1

Me gusta la leche represents an African-Ecuadorian interpretation--with phrasing twists, rhythmic variation and nuance, and the requinto's dulzura sweetness--of an Indigenous genre (sanjun) of the neighboring Quichua within a Spanish-speaking nation.

Answer to Question 2

Similarities: same basic genre (sanjun); same doublecouplet construction, and comparable tempo, and phrases of 8 beats. The short-long-short rhythmic marker is found in both examples (marked with a in the chart below).
Differences: in the Chota sanjun of CD 3:5 the rhythm of second four beats of the main phrase is similar to--but not exactly the same as--the rhythm of the first four beats. In the case of the Quichua sanjun, the rhythm of the second four beats (beats 5-8) is exactly the same as the rhythm of the first four beats (beats 1-4)--known as isorhythm. (See also comparison chart below.)