WOM identifies this selection as a Peruvian wayno and also as a ...

[formula1]

WOM identifies this selection as a Peruvian wayno and also as a second example of the Latin American harp-country-genre. What was the other example of a Latin American harp-country-genre you listened to in connection with this chapter?
 
  What will be an ideal response?

Question 2

Briefly describe some musical groups who illustrate how the Andean Sound is becoming part of the sonic scene from Europe to Japan WOM citing Cspedes, 1993. If possible list the U.S. areas from which the groups originate.
 
  What will be an ideal response?

[bbburns21]

Answer to Question 1

 the Ecuadorian sanjun (CD 3:3) Muyu muyari warmigu Efran, harpist

Answer to Question 2

 Otavalo Quichua musicians are performing everywheremalls, street corners, music festivals, and in concert halls and clubs on six continents and recording and selling their music at locales around the world WOM citing Meisch, 1997.
 Amauta Chilean and Bolivian musicians playing traditional Andean instruments (Seattle-based)
 Condorensemble of professional, college-educated musicians who focus on traditional Andean musics (Corvallis, Oregon-based)
 Andanzasperform a variety of traditional musics from Latin America and the Caribbean (widely traveled, 4-member Andean group)
 AndesmantaEcuadorian musicians playing traditional highland Ecuadorian musics in addition to other South American folk musics
 Sukayformed as a group in 1974 with some eight albums by 1994
 Chaskinakuy  husband and wife duo self-described as dedicated revivalists performing songs in Quechua/Quichua and Spanish on a variety of many native Andean instruments; for example, the Peruvian wayno, Amor imposible (CD 3: 6) to be taken up below (California-based)
 See WOM for meaning and derivation of names of groups.

[formula1]

Thanks

[bbburns21]

Welcome