The sense of power and authority conveyed by ceramic soldiers in the tomb of Qin Shihuangdi is underscored by
a) the magnitude of their production process.
b) their uniformity.
c) their oversized proportions.
d) the replication of the emperor's facial features.
Question 2
By connecting himself through visual symbols and inscriptions in artwork to rulers of the past, Napoleon intended to do all of the following EXCEPT
a) claim power through birthright.
b) mythologize his achievements as ruler.
c) extend the reach of his power by association.
d) magnify his position in history.
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