Chilean arpilleristas did NOT:
a. tell the story of political oppression on scraps of cloth.
b. use their art to support the government in power.
c. become banned in their own country.
d. attempt to raise the consciousness of their oppressed countrymen to bring about political and social change.
e. use art as a vehicle of protest.
Question 2
In more complex societies, state governments:
a. deliberately use art to ensure freedom of expression.
b. always carefully control art to prevent social agitation.
c. frequently repress artistic forms that criticize national symbols.
d. sponsor art for the sake of instilling obedience and maintaining the status quo.
e. subsidize the production of art as a way of calming the social classes.
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