Which of the following is not a characteristic of Roy Eldridge's playing style?
a. exploitation of the full three-octave range of the trumpet
b. a fiery vigor and an ability to handle breakneck tempos
c. a level of instrumental dexterity that influenced the pioneers of the bebop movement
d. a melodic style that focused on the middle range of the instrument
Question 2
Which composition uses falsobordone and is the most famous example of stile antico written for the cappella pontificia sistina?
a. Oh di Betlemme
b. Jepthe
c. Kyrie of the Missa Salisburgensis
d. Miserere mei, Deus
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