Race records, created by recording companies such as OKeh and Vocalion in the 1920s, targeted
a. white urban audiences who were fascinated by ragtime
b. white southern audiences who were interested in traditional African American music
c. black urban audiences who were interested in the blues
d. black southern audiences who were interested in gospel music and spirituals
Question 2
Medieval choir directors considered the concept of absolute pitch as an essential aspect of performance, and chant was never transposed into a range that was comfortable for the singers, but sung at the written pitch.
Indicate whether the statement is true or false
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