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Author Question: How was the use of musique concrte in the works of Pierre Boulez, Oliver Messiaen, and Edgard Varse ... (Read 188 times)

2125004343

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on: Jul 25, 2018
How was the use of musique concrte in the works of Pierre Boulez, Oliver Messiaen, and Edgard Varse different from that of Pierre Schaeffer?
 
  What will be an ideal response?

Question 2

How do the canons of Ockeghem and his students differ from earlier canons, such as the Summer Canon?
 
  What will be an ideal response?


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taylorsonier

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Reply #1 on: Jul 25, 2018
Answer to Question 1

typically disguised the source of the sounds and bypassed the elements from traditional music

Answer to Question 2

earlier canons included a different lower voice to support the imitative polyphony; with Ockeghem and others all voices are canonic


2125004343

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Reply #2 on: Jul 25, 2018
Thank you!


taylorsonier

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Reply #3 on: Jul 25, 2018
Always glad to help...


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