According to his book Unterweisung im Tonsatz (The Craft of Musical Composition), upon what principle did Paul Hindemith base his harmonic style?
A) that all tones were equal (atonality)
B) symmetrical scale patterns, such as the whole-tone or octatonic
C) random selection
D) acoustical laws and relationships
Question 2
In an isorhythmic motet, the isorhythm most often occurs in the ____ voice.
A) quadruplum
B) triplum
C) tenor
D) motetus