Most 1960s rock bands projected a collective identity.
a. True
b. False
Question 2Match the following:
a. Elvis Presley
b. cover
c. rock beat
d. surf music
e. multitrack recording
f. doo-wop
g. scat singing
h. obbligato
i. payola
j. rockabilly
k. Buddy Holly
1. The 1950s performer who was to become a rock and roll icon by the authenticity of his rhythm &
blues, gospel, and pop influences.
2. A version of a song by someone other than the original artist.
3. A pop-oriented R & B genre that featured remakes of standards sung by black vocal groups.
4. The process of recording each part of a performance separately, then mixing them into a complete
performance.
5. A country take on rhythm and blues.
6. A regional rock from California.
7. A second melody played under the main melody.
8. The practice of a record company bribing disk jockeys to secure airplay for their records.
9. Eight evenly spaced sounds per measure (or two per beat) over a strong backbeat.
10. Wordless singing in which the singer uses nonsense syllables instead of words.
11. A young innovative performer who was to influence the Beatles and other 1960s rock groups after his
premature death.
Figure 7.1 shows the rapid decline in the trust of Americans in government since the 1960s. This de
Caribbean Identity
Pelvic rock. Place your right hand over the recipient’s left hip bone. Place your left hand over ...
Prove the following identity:
What is the identity of this atom?
The Tendons Are the Bands of Tissue That Connect Muscle to Bone