Most 1960s rock bands projected a collective identity.
a. True
b. False
Question 2Match the following:
a. Elvis Presley
b. cover
c. rock beat
d. surf music
e. multitrack recording
f. doo-wop
g. scat singing
h. obbligato
i. payola
j. rockabilly
k. Buddy Holly
1. The 1950s performer who was to become a rock and roll icon by the authenticity of his rhythm &
blues, gospel, and pop influences.
2. A version of a song by someone other than the original artist.
3. A pop-oriented R & B genre that featured remakes of standards sung by black vocal groups.
4. The process of recording each part of a performance separately, then mixing them into a complete
performance.
5. A country take on rhythm and blues.
6. A regional rock from California.
7. A second melody played under the main melody.
8. The practice of a record company bribing disk jockeys to secure airplay for their records.
9. Eight evenly spaced sounds per measure (or two per beat) over a strong backbeat.
10. Wordless singing in which the singer uses nonsense syllables instead of words.
11. A young innovative performer who was to influence the Beatles and other 1960s rock groups after his
premature death.
Pigmented bands in nail of patient with dark skin
Limestone: A Marine Sedimentary Rock
Which of the following statements is true of linkage?
Until the 1960s, the South’s public facilities were segregated. Some were reserved for whites, ...
Rock-cut Tombs, Beni Hasan