Forms in music are constructed around
a. variation, modulation, and contrast
b. organization, contrast, and variation
c. repetition, variation, and contrast
d. syncopation, organization, and repetition
e. scales, dynamics, and variation
Question 2When the soloist in a concerto plays alone a paraphrase of the themes, he or she is
playing a
a. break
b. motive
c. movement
d. cadenza
e. cadence