How can Ewe musicians imply both a six-feel beat background and a four-feel beat at the same time? See if you can diagram a background of twelve eighth-note units (1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12) and show how this background can be felt as both a four-feel and six-feel beat within which two bell phrase shapes can occur
(L L S L L L S and L S L L L S L).
What will be an ideal response?
Question 2
How is a steady tempo and consistent time flow maintained by the Agbekor musicians?
What will be an ideal response?