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Author Question: The producer tells you that in Rembrandt lighting, the dark areas (including the shadows on faces) ... (Read 116 times)

2125004343

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on: Aug 11, 2018

The producer tells you that in Rembrandt lighting, the dark areas (including the
  shadows on faces) should be prevented from receiving any light to render falloff
  maximally fast. Do you agree with the producer? If so, why? If not, why not?


 
  What will be an ideal response?

Question 2

Somebody suggests that high-key lighting has much less aesthetic potential than chiaroscuro
  lighting. Do you agree with this comment? If so, why? If not, why not?


 
  What will be an ideal response?


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lorealeza

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Reply #1 on: Aug 11, 2018
Answer to Question 1



Answer to Question 2



2125004343

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Reply 2 on: Aug 11, 2018
:D TYSM

Liamb2179

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Reply 3 on: Yesterday
Great answer, keep it coming :)

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