Paul's torso recedes sharply and is, in effect, contracted in Caravaggio's Conversion of St. Paul, compressing the space between action and viewer through a technique known as ________.
A. hierarchical scaling
B. foreshortening
C. parallel perspective
D. optical representation
E. oblique projection
Question 2
In the Fowling Scene from ancient Egypt, the heads, arms, and legs are seen in profile, yet the eyes and torsos are seen from the front, which is known as ________.
A. multiple perspective
B. optical representation
C. isometric projection
D. axonometric projection
E. conceptual representation