Question 1
George Inness' painting for Currier and Ives reflects:
A) the creative freedom of the artist.
B) the conflict between art and the marketplace.
C) the disappearance of the American countryside.
D) pastoral peace undisturbed by industrialization.
Question 2
In Walden, Henry David Thoreau:
A) questioned the spiritual cost of the market revolution.
B) criticized society for wasting women's potential.
C) humanized the factory system.
D) argued for the development of the nation's natural resources.
Question 3
The core of sentimentalism of the urban middle class developed from:
A) romantic love.
B) nostalgia for imagined preindustrial village security.
C) the advertising culture of the day.
D) proper social codes.
Question 4
The unsettling demands of the new industrial order forced changes in middle-class family life that resulted in:
A) a more distant relationship between husband and wife.
B) less time for the traditional nurturing role for the wife/mother.
C) fewer children in the average household.
D) the broadening of the woman's sphere beyond the household.
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