What are some differences that distinguish the music of CD 3:6 ...

[rl]

What are some differences that distinguish the music of CD 3:6 from the music of CD 3:3?
  The following features are found specifically on CD /3:6--
 
  What will be an ideal response?

Question 2

As you listen to the selection CD 3:6, compare what you are hearing to CD 3:3, the sanjun Muyu muyari warmigu by the Quichua master harpist Efran with Rafael, voice and golpe. Identify four prominent similarities between the two selectionssee also relevant discussion in WOM.
 
  What will be an ideal response?

[Koolkid240]

Answer to Question 1

 the distinctive character of Peruvian harp-accompaniment style
 the vocal quality of the female singer of wayno:
 distinctive melodic turns of the vocal phrase
 portamentosliding to tones
 focused, clear vocal quality

Answer to Question 2

 (1) The harp is prominent in the two selections, both as an accompanying and lead instrument.
 (2) Both examples illustrate the familiar Andean bimodality--minor scale/key and its relative major (B minor/D major in the case of CD 3:6).
 (3) In both CD 3:3 and CD 3:6 the accompanying rhythms are tapped on the harp soundbox rather than on a drum.
 (4) Accompanying rhythmic patterns in both selections involve three-note marker patterns: short-long-short in CD 3:3; long-short-short or triplet of three notes, short-short-short, in CD 3:6.

[rl]

TYSM

[shailee]

Thanks for the timely response, appreciate it